Photojournalism and editorial photography are forms of visual storytelling grounded in real events, people and social contexts. Their purpose is to inform, document and clarify reality without staging, reconstruction or manipulation. Images are produced in response to real situations, prioritising accuracy, context and meaning.
Photojournalism often responds to current events, while editorial photography may explore broader themes over longer periods of time. Both practices rely on careful observation, situational awareness and ethical responsibility when documenting reality. Respect for subjects, transparency of intent and contextual accuracy are central to the credibility of the work.
Editing is a fundamental part of photojournalism and editorial photography. Images are selected and sequenced to convey meaning, context and continuity rather than isolated impact. Individual photographs gain strength through their relationship with others, forming coherent visual narratives that help audiences understand complex situations.
Photojournalistic and editorial work is carried out across Portugal, including mainland regions, the Azores and Madeira, and frequently extends to international assignments. Working across different cultural, social and political contexts requires adaptability, cultural sensitivity and an informed understanding of place.
In a saturated visual environment, photojournalism and editorial photography remain essential for creating accurate and meaningful visual records. Their value lies in consistency, context and integrity, offering visual information that contributes to public understanding rather than visual noise.
This guide explains the principles, working methods and purpose of photojournalism and editorial photography, focusing on how visual narratives are created through real events, ethical practice and contextual storytelling.
What is photojournalism and editorial photography and how does it work
Photojournalism and editorial photography provide structured, contextual and ethically grounded visual narratives that help document and interpret the world as it unfolds.
This section brings together work produced for newspapers, magazines and international organisations. The focus is on real events, social issues and daily life in urban and rural contexts. I work independently in the field, relying on natural light, accurate reporting and an unobtrusive approach. The images reflect a commitment to clarity, context and honest visual storytelling. Assignments have included political coverage, community stories, public services, migration, environmental issues and long-form documentary reporting.