Mumbai Photography Workshop 2026 · World Press Photo · €775 October 29 to November 1 2026
Mumbai Photography Workshop 2026 · World Press Photo · €775
Documentary, Street & Travel Photography Workshops with World Press Photo Winner
Mumbai Photography Workshop 2026 · World Press Photo · €775 October 29 to November 1 2026
Documentary, Street & Travel Photography Workshops with World Press Photo Winner
Mumbai Photography Workshop 2026 · World Press Photo · €775 October 29 to November 1 2026
Mumbai Photography Workshop 2026 · World Press Photo · €775 October 29 to November 1 2026
Documentary, Street & Travel Photography Workshops with World Press Photo Winner
This four-day Mumbai photography workshop is designed for photographers who want to develop a documentary and street photography approach in one of the most visually intense cities in the world
Mumbai is a city of extreme density and constant negotiation. Space is shared, time is compressed, and private life unfolds in public view. Everything happens at once: labour, devotion, wealth, poverty, movement, and, waiting, creating one of the most demanding environments for documentary photography.
This workshop is designed for photographers who already have experience and want to learn how to work inside intensity without losing clarity, ethics, or narrative control. It is not a beginner class, and it is not a tour. It is a focused learning process grounded in observation, responsibility, and real situations.
Led by documentary photographer Daniel Rodrigues, this four-day intensive programme focuses on fieldwork, editing and critical discussion in one of the most complex urban environments in the world. The emphasis is not on visual excess, but on understanding how stories emerge within pressure, proximity and contradiction.
The Mumbai workshop takes place in October 2026, starting on October 29.
The programme runs over four full days and is limited to a small group to ensure close guidance and meaningful development.
Maximum: 8 participants
Duration: 4 intensive days
Fee: 775€ / 915$ per participant
One edition available:
Workshop taught entirely in English
Why Mumbai?
Mumbai is one of the most demanding cities in the world for documentary photography. The city operates under constant pressure: bodies, traffic, labour, belief, and survival share the same space.
Light is harsh, fragmented, and often unforgiving. Time feels compressed. Distance is rarely available.
Each area carries a distinct visual logic:
• the informal economies of street labour
• the dense residential neighbourhoods
• religious spaces embedded in daily movement
• corporate districts bordering informal settlements
• transit zones where waiting and urgency coexist
Mumbai is not about visual excess for its own sake. It is about proximity, negotiation, and awareness. Photography here requires clarity of intention, ethical sensitivity, and the ability to make decisions quickly without simplifying complex realities.
What you will learn in this workshop
This workshop is built around the way strong photographs are actually made: by reading light, moving through real places with attention, approaching people with respect, and turning individual images into a coherent body of work.
Whether the setting is Lisbon, Porto, Istanbul, Mumbai or another city, the focus is the same: documentary photography, street photography and travel photography practiced with intention.
Light, atmosphere and timing
You will learn how to work with changing light instead of waiting for perfect conditions. We look at direction, contrast, reflections, shadows, silhouettes and atmosphere, and how these elements can shape the emotional tone of a photograph.
The goal is to make faster, clearer decisions in the street: when to wait, when to move, when to simplify the frame, and when the light is telling the story.
Composition in real streets
Cities are layered, unpredictable and often visually dense. During the workshop, you will learn how to organise complex scenes, use foreground and background with purpose, anticipate gesture, and build stronger compositions in both crowded and quiet situations.
This is not about collecting attractive scenes. It is about learning to see structure, rhythm and meaning inside everyday life.
Photographing people with respect
A large part of documentary and street photography is human connection. You will work on how to approach people with clarity, confidence and sensitivity, while understanding the cultural and social context of each place.
We will also discuss when not to photograph, how to avoid forced or superficial images, and how to build trust in fast-changing environments.
Building a documentary story
The strongest photographs rarely stand alone by accident. You will learn how to move beyond single images and begin shaping a visual narrative through observation, repetition, editing and sequencing.
We will look at daily rituals, work, movement, silence, tension, humour, faith, routine and small moments that reveal something deeper about a place.
By the end of the workshop, you should leave with a sharper eye, a more disciplined way of working, and a clearer understanding of how to create photographs that feel honest, personal and connected to real life.
This workshop is built around the way strong photographs are actually made: by reading light, moving through real places with attention, approaching people with respect, and turning individual images into a coherent body of work.
Whether the setting is Lisbon, Porto, Istanbul, Mumbai or another city, the focus is the same: documentary photography, street photography and travel photography practiced with intention.
Light, atmosphere and timing
You will learn how to work with changing light instead of waiting for perfect conditions. We look at direction, contrast, reflections, shadows, silhouettes and atmosphere, and how these elements can shape the emotional tone of a photograph.
The goal is to make faster, clearer decisions in the street: when to wait, when to move, when to simplify the frame, and when the light is telling the story.
Composition in real streets
Cities are layered, unpredictable and often visually dense. During the workshop, you will learn how to organise complex scenes, use foreground and background with purpose, anticipate gesture, and build stronger compositions in both crowded and quiet situations.
This is not about collecting attractive scenes. It is about learning to see structure, rhythm and meaning inside everyday life.
Photographing people with respect
A large part of documentary and street photography is human connection. You will work on how to approach people with clarity, confidence and sensitivity, while understanding the cultural and social context of each place.
We will also discuss when not to photograph, how to avoid forced or superficial images, and how to build trust in fast-changing environments.
Building a documentary story
The strongest photographs rarely stand alone by accident. You will learn how to move beyond single images and begin shaping a visual narrative through observation, repetition, editing and sequencing.
We will look at daily rituals, work, movement, silence, tension, humour, faith, routine and small moments that reveal something deeper about a place.
By the end of the workshop, you should leave with a sharper eye, a more disciplined way of working, and a clearer understanding of how to create photographs that feel honest, personal and connected to real life.
• A 25% deposit is required to secure a place
• Remaining 75% due up to 30 days before the workshop
• Minimum of 5 confirmed participants
• Maximum group size: 8
Mumbai workshops fill quickly due to the strong visual environment and limited number of places.
Registration
Fee per participant: €775 / $915
The fee includes four full days of guided fieldwork, short theory sessions, editing sessions, group critique and individual feedback throughout the workshop.
Also included:
• Pre-workshop support with preparation, equipment and practical recommendations
• Daily guidance in the streets
• Editing and sequencing support towards a final documentary narrative
Not included:
• Accommodation
• Meals
• Flights or transport
• Local transport during the workshop
• Travel insurance
• Personal expenses
A 25% deposit is required to secure a place.
The remaining 75% is due up to 30 days before the workshop.
This workshop is intentionally kept small to allow close guidance, meaningful feedback and a stronger learning experience in one of the most visually demanding cities in the world.
Price & Conditions
Testimonials from workshop participants
Luís
Peniche Portugal
"After four days I'd call it a really good experience. You have a gift for teaching, and it felt like a privilege to spend these days with you, watching how you work with people, how you shoot, and hearing everything you've picked up along the way. In the end it wasn't only about photography, there was something personal in it too.
Photographing people, actually going up to them and talking, had always been a wall for me. I feel more confident now. Plenty still to practise, but I know I can do it.
The organisation deserves a mention. Everything from the platform to the programme was spot on. And the fact that you're an easy, flexible person made the whole thing relaxed, in the best way.
The other thing I'd single out is the review sessions, going back over the photos we'd taken. Those made a real difference. They helped me do better the next day and know exactly what I needed to fix. All in all, a five-star experience, and you're a very good teacher. And photographer, obviously."
Jamie
Montreal, Canada
"After four days with Daniel in Lisbon, I look at photography differently. The workshop was what I'd hoped for: some theory, a lot of shooting out in the streets, and help with editing at the end of each day.
During the sessions Daniel kept pushing us to get closer, to approach people and put our subjects at the centre of the frame instead of hanging back. He never hovered. But he was never far either, and that was enough to make us braver, walking into parts of the city we probably wouldn't have gone into alone and actually testing things rather than playing safe.
I'll never think about light and shadow the same way. Not just exposure, but part of the composition itself. We also talked a lot about how to photograph people in the street honestly, without turning them into tourist snapshots, and that changed how I worked. The photos started to feel like a conversation with the place, not something grabbed on the way past.
And it was fun. I finished every day tired and wanting to go out again the next morning, having learned as much from the other participants as from Daniel. Money well spent."
Four-day Programme
Each day combines practical fieldwork, focused teaching, editing and group discussion. The structure is designed to help participants photograph with more intention, return with stronger images, and understand how to build a coherent visual story.
Mornings
• Short theoretical sessions
• Study of classic and contemporary documentary photography
• Preparation for the day’s fieldwork
• Discussion around ethics, approach and visual storytelling
Afternoons
• Guided fieldwork in Colaba, Fort, Kala Ghoda, Crawford Market, Dadar, Bandra, Marine Drive and surrounding areas
• Practical exercises in observation, timing and composition
• Individual guidance while shooting
• Small-group challenges adapted to the rhythm of the city
Late afternoons and evenings
• Editing and image review sessions
• Selection of each participant’s strongest photographs
• Group critique and discussion
• Sequencing work towards a final documentary narrative
Each day combines practical fieldwork, focused teaching, editing and group discussion. The structure is designed to help participants photograph with more intention, return with stronger images, and understand how to build a coherent visual story.
Mornings
• Short theoretical sessions
• Study of classic and contemporary documentary photography
• Preparation for the day’s fieldwork
• Discussion around ethics, approach and visual storytelling
Afternoons
• Guided fieldwork in Colaba, Fort, Kala Ghoda, Crawford Market, Dadar, Bandra, Marine Drive and surrounding areas
• Practical exercises in observation, timing and composition
• Individual guidance while shooting
• Small-group challenges adapted to the rhythm of the city
Late afternoons and evenings
• Editing and image review sessions
• Selection of each participant’s strongest photographs
• Group critique and discussion
• Sequencing work towards a final documentary narrative
Each day combines practical fieldwork, focused teaching, editing and group discussion. The structure is designed to help participants photograph with more intention, return with stronger images, and understand how to build a coherent visual story.
Mornings
• Short theoretical sessions
• Study of classic and contemporary documentary photography
• Preparation for the day’s fieldwork
• Discussion around ethics, approach and visual storytelling
Afternoons
• Guided fieldwork in Colaba, Fort, Kala Ghoda, Crawford Market, Dadar, Bandra, Marine Drive and surrounding areas
• Practical exercises in observation, timing and composition
• Individual guidance while shooting
• Small-group challenges adapted to the rhythm of the city
Late afternoons and evenings
• Editing and image review sessions
• Selection of each participant’s strongest photographs
• Group critique and discussion
• Sequencing work towards a final documentary narrative
Each day combines practical fieldwork, focused teaching, editing and group discussion. The structure is designed to help participants photograph with more intention, return with stronger images, and understand how to build a coherent visual story.
Mornings
• Short theoretical sessions
• Study of classic and contemporary documentary photography
• Preparation for the day’s fieldwork
• Discussion around ethics, approach and visual storytelling
Afternoons
• Guided fieldwork in Colaba, Fort, Kala Ghoda, Crawford Market, Dadar, Bandra, Marine Drive and surrounding areas
• Practical exercises in observation, timing and composition
• Individual guidance while shooting
• Small-group challenges adapted to the rhythm of the city
Late afternoons and evenings
• Editing and image review sessions
• Selection of each participant’s strongest photographs
• Group critique and discussion
• Sequencing work towards a final documentary narrative
Price & Conditions
Price & Conditions
Fee per participant: €775 / $915
The fee includes four full days of guided fieldwork, short theory sessions, editing sessions, group critique and individual feedback throughout the workshop.
Also included:
• Pre-workshop support with preparation, equipment and practical recommendations
• Daily guidance in the streets
• Editing and sequencing support towards a final documentary narrative
Not included:
• Accommodation
• Meals
• Flights or transport
• Local transport during the workshop
• Travel insurance
• Personal expenses
A 25% deposit is required to secure a place.
The remaining 75% is due up to 30 days before the workshop.
This workshop is intentionally kept small to allow close guidance, meaningful feedback and a stronger learning experience in one of the most visually demanding cities in the world.
About Daniel Rodrigues
About Daniel Rodrigues
Daniel Rodrigues is a photojournalist and documentary photographer. He won the World Press Photo in 2013, has been a regular contributor to The New York Times for over a decade and has worked in more than thirty countries, from conflict zones to isolated communities, major cities and everyday stories.
In these workshops, Daniel shares not only technical knowledge but also the way he thinks, observes, prepares and engages with people, constructing narratives that make sense to him and to the editors he works with.
Mumbai · October 29–November 1, 2026 · Limited to 8 participants